Gear

Monitors

• Dynaudio BM15A
• Dynaudio BM-9 sub
• Mackie HR824
• PMC – GB-1i w/ Cerwin-Vega sub
• JBL 4311
• Yamaha NS10M Studio Monitors
• Auratone 5C Super Sound Cubes
• Realistic Minimus 7
• Sennheiser HD-600, HD-25
• Presonus Central Station
• (5) Extreme Isolation 29
• (4) Fostex T-50
• (1) Fostex T-20

Microphones

• Neumann U87 (vintage ’75)
• Neumann U87 ai
• Groove Tubes Model 3a Variable Pattern Vacuum Tube Mic
• RCA Model 77A (vintage ’32) “The Granddaddy of all ribbon mics”
• RCA Model 74B Junior Velocity ribbon
• (2) Altec (Western Electric) 639A and 639B ribbon/dynamic
• Royer R-121 ribbon, SF-12 stereo ribbon
• AEA R-84 large ribbon
• (3) Oktava MK-012 with OktavaMods by Michael Jolly, (2) RED lollypop capsules 
• Beyer Dynamics M-160 and M-130 ribbon, M-930
• Cascade Fathead II ribbon
• Crown PCC 160
• AKG D12e, (2) C414 B-ULS, C460 B-ULS, C451-EB, C535-EB, D112, (2) D460 w/ CK61, D707E
• Sennheiser MD-441, (3) MD-421 II, (2) MD-421 , MD-409
• Shure SM7B, (2) SM81, (2) KSM44, KSM32, KSM27, KSM313/NE Dual voiced ribbon, (3) Beta 98, Beta 87, (6) SM57, (2) SM57 Unidyne III, (4) SM58, (2) Beta 58A, 315 Ribbon, PE515, PE54D, 520DX Green Bullet, 527B
• AT 825 stereo
• Rode NTG4 shotgun mic + blimp
• SONY ECM-22P
• (4) Countryman FET85 DI 
• (2) DOD passive DI

Recording Platforms

• SONAR Platinum
• SONAR 8.5.2
• Studio One and Capture
• Logic Pro
• Apogee AD16X converters
• Alesis AI-3 (FX and monitor sends)
• Presonus StudioLive AI 16.4.2
• Presonus Firestudio Tube
• Mackie Control and Expander
• Zoom R-16, H6 w/ multiple mic heads
• Otari MX 5050-III 8 Track 1/2″
• Otari MTR-10 4 Track 1/2″
• Akai GX-230D quarter track
• Fostex G-16 w/ SMPTE sync
• Fostex Model 80
• Fostex A-2 half track
• Fostex D-5 DAT
• Panasonic SV-4100 DAT

Hardware Processing

• Teletronix LA-2A tube compressor
• Universal Audio 6176 
• (2) Universal Audio Blackface LA-4A with Jim Williams mods
• Klark-Teknik 1176-KT
• MXR Model 126 Flanger/Doubler
• Marshall Time Modulator 5402
• AKG BX-10 spring reverb
• Eventide H3000S
• Eventide SP2016
• EMT 245 Reverb
• Empirical Labs Distressor EL8-X with British Mod
• Bi-Amp MR/140 spring reverb
• 6′ custom plate reverb
• AEA TRP (ribbon mic pre)
• Vintech X81 pre/eq
• (2) AEA RPQ 500 pre
• (2) A-Designs P-1 pre
• (2) Neve 1073LB pre
• (3) Avedis MA5 pre
• (2) Shadow Hills Gama pre
• (4) API 512C pre 
• (2) API 525 compressor
• (2) API 550B EQ
• (5) API 560 EQ
• (2) Speck  ASC-V EQ
• (3) MTE Type 29 B R Equalizers

Software Processing

• Universal Audio UAD-2 QUAD and DUO with: Studer A800, Fatso Jr., Cooper Time Cube, LA-2A, 1176, LA-3A, EMT 140 Plate, EMT 250, Manley Vari-Mu, Manley Massive Passive, Neve 1073, UA Percision De-Esser, UA Precision Bus Compressor, Pultec Pro EQ collection, Fairchild 660/670, Hilos 69 EQ, SPL Transient Designer, SSL 4000 G Buss Comp, Lexicon 224, Galaxy Tape Echo, Little Labs IBP, RealVerb Pro, Roland Dimensions D, Roland RE-201, UAD 4K Buss Compressor, SoftTube Vocoder
• iZotope Ozone 8 Advanced mastering suite and RX restoration suite
• Waves Gold 9, API 2500, Abbey Road Chambers, Aphex Aural Exciter, Vocal Rider
• Voxengo Elephant
• PSP Vintage Warmer
• Lexicon Pantheon Reverb
• Celemony Melodyne 4
• Antares Auto-Tune 3.0
• Timeworks Comp./EQ

Guitars

• 1886 Fairbanks and Cole Guitar Banjo
• ’59 Les Paul Junior
• ’62 Gretsch 6120
• ’63 Fender Jaguar
• ’67 Gretsch Country Gent
• ’68 Custom Kraft Bone Buzzer Bass
• ’69 Les Paul Goldtop
• ’70 Martin D-18
• Early 70’s Takamine F395S 12-string (law-suit era)
• Early ’70’s Les Paul Goldtop w/ Bixby
• ’72 Les Paul Goldtop Deluxe
• ’74 Fender Telecaster Deluxe
• ’75 Les Paul Custom w/ Bixby
• ’77 Fender Precision Bass
• ’78 Fender Telecaster
• ’88 Fender Strat Plus Deluxe
• ’89 Taylor 810 Acoustic
• ’91 Gretsch White Falcon
• ’92 Gibson J-30 Acoustic
  
• Orpheum Steel Body Resonator
• Nocaster with Bixby

Amplifiers

• ’57 Fender Tweed Champ (11/57)
• ’56 Fender Tweed Deluxe (6/56)
• ’57 Fender Tweed Deluxe (3/57)
• ’60 Fender Tweed Deluxe (5/60)
• ’62 Fender Brown Princeton(8/62)
• ’65 Fender Reverb Tank (6/65)
• ’63 Fender Cream Bassman(10/63)
• ’64 Fender Deluxe Reverb (3/64)
• ’66 Fender Vibrolux Reverb (10/66)
• ’66 Fender Vibro-Champ (12/66)
• ’77 Fender Twin Reverb
• ’77 Marshall JMP Mk.2 (2204)
• ’82 Roland JC-120 Jazz Chorus
• ’60 Ampeg B15 Portaflex (11/60)
• ’62 Ampeg M15 “Big M”
• ’68 Kustom (Black) 200B-4 w/ 2×15 cabinet Jensen speakers
• ’69 Kustom (Red) 200B-2 w/ 2×15 cabinet JBL F-130 speakers
• ’60’s Premier 50 (1×10″)
• ’66 Kalamazoo Model Two
• ’67 Supro Corsica model S6622
• ’67 Hilgen Challenger
• 70’s Pig Nose
• 60’s Takt GA-10
• Ampeg Porta-Flex 800 bass amp
• David Eden D210 XLT bass cabinet

Keyboards

• 1982 MemoryMoog Plus
• Roland Juno 106
• 1937 Bradbury Studio Upright with mandolin attachment
• ’61 Hammond M-101 Organ with Model 110 Leslie
• ’76 Wurlitzer 200A
• ’77 Rhodes Mark I Stage 73
• Leslie Model 145/147 w/ preamp, Model 25 Orpheus
• ’62 Slivertone chord organ
• Farfisa Compact Deluxe
• Farfisa Professional Duo with bass pedals
• 1972 Optigan 35002 (20+ discs)
• Ensoniq EPS sampler/keyboard
• Suzuki Omnichord OM-84
• Various toy pianos

Pedals

• Mutron Phasor II
• Mutron Octave Divider
• Chandler Tube Driver Pedal (ala Eric Johnson)
• Chandler Tube Driver Rack
• DigiTech T3 (3) ch. preamp
• Ibanez TS-9 Tube Screamer
• MXR Green Analog Delay
• MXR Phase 90 “Script”
• Boss Flanger BF-1 
• Boss Octave Divider